The artwork itself is a painting made by Filipe based on an image of the Heidelberg Dance of Death book (1448) and almost a perfect imitation of John Fahey’s “Dance of Death” – which uses an image from the same book.

What Filipe has to say about his record

For a while this record would be only side A… A home recording of a small rehearsal that turned out to be 3 covers or versions of things i love. Especially “Canção de embalar”, that my father used to sing and play to me as a lullaby. In the end, it seemed quite fitting that what envisioned as a protest record, or an homage record, would end up after all having a second side, with the help of guitarist Norberto Lobo, whom I admire and learn a lot from. Our music is different, but sometimes, sometimes, when planets align, our pathos hits the same spot. To end it all,something that was on my head from the beginning: the title is from a track by the Great Carlos Paredes. I feel that all i know is a very fragile aglomeration of all the work of guitarists i love. Records are made of records. So this is my thank you note. It had to be stated, this thirst and death that keeps us playing.
Three:Four Records