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Pedro Abrantes and Valdemar Pereira intense and cold approach in the next release of E.F.A.E. would fit perfectly as the soundtrack to David Cronenberg’s film Crash (1997), guiding the listener throught a world of perversion and obsession. A raw experience, usually of violence, where the human nature is expressed throught old rhythm boxes and cheap guitar pedals, sounding dirty, fuzzy, with an healthy disregard for rules of fidelity or even functionality.
GAM / Coletivo Vandalismo emerges like a sonic terrorist cell, out to implode traditional notions of “dance music” infusing a sense of dread and menace.
Eye For An Eye
Eye For An Eye
Pedro Abrantes and Valdemar Pereira intense and cold approach in the next release of E.F.A.E. would fit perfectly as the soundtrack to David Cronenberg’s film Crash (1997), guiding the listener throught a world of perversion and obsession. A raw experience, usually of violence, where the human nature is expressed throught old rhythm boxes and cheap guitar pedals, sounding dirty, fuzzy, with an healthy disregard for rules of fidelity or even functionality.
GAM / Coletivo Vandalismo emerges like a sonic terrorist cell, out to implode traditional notions of “dance music” infusing a sense of dread and menace.
