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“You’ll Never Play This Town Again” it’s the later Hosker-era that this new 42 track compilation of rare and unreleased recordings is drawn from. The main difference between the line-ups is that Harry Pussy actually got faster as they evolved, tracking the opposite trajectory of normal punk groups. When Feehan was playing with them they could still get strung out, still play more obviously ‘free’. But by the time of these recordings Harry Pussy were playing 60 second bursts of chaotic rock ’n’ roll that barbarise whole histories of freakout style, from free jazz through classic hardcore, boogie, blues, Black Flag, Germs, most explicitly through Beefheart, but all hyper-condensed into ultra-kranky riffs that Orcutt plays at hallucinatory speed, compressing Zoot Horn Rollo-style avant confusion into lighting runs and metallic two note knock-outs.
Palilalia Records
Palilalia Records
“You’ll Never Play This Town Again” it’s the later Hosker-era that this new 42 track compilation of rare and unreleased recordings is drawn from. The main difference between the line-ups is that Harry Pussy actually got faster as they evolved, tracking the opposite trajectory of normal punk groups. When Feehan was playing with them they could still get strung out, still play more obviously ‘free’. But by the time of these recordings Harry Pussy were playing 60 second bursts of chaotic rock ’n’ roll that barbarise whole histories of freakout style, from free jazz through classic hardcore, boogie, blues, Black Flag, Germs, most explicitly through Beefheart, but all hyper-condensed into ultra-kranky riffs that Orcutt plays at hallucinatory speed, compressing Zoot Horn Rollo-style avant confusion into lighting runs and metallic two note knock-outs.
